Maya Roth, Editor The Interdisciplinary Theatre of Ping Chong: Exploring Curiosity and Otherness By Yuko Kurahashi Reviewed by Craig Quintero Embodied Reckonings: “Comfort Women,” Performance and Transpacific Redress By Elizabeth Son Reviewed by Devika Ranjan Love Dances: Loss and Mourning in Intercultural Collaboration By SanSan Kwan Reviewed by grace shinhae jun […]
Vol. 34 No. 2
18 posts
by Jennifer Goodlander The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center For many, Cambodia and Cambodian American identities remain “unrepresentable.”[1] Jonathan H. X. Lee troubles the relationships between Southeast Asian, American, and specific national identities to […]
by Kristin Leahey with excerpts from an interview with Joseph Ngo The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center When Lauren Yee approaches a new play, she considers the historical events she wants to address in […]
by Jenna Gerdsen The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center When I left Hawaiʻi for college on the continent, I was in for quite a shock. As a mixed Asian woman born and raised in […]
by Roger Tang The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center Artistic Statement Roger Tang has been an advocate and champion of Asian American theatre ever since he found himself a dormmate of noted playwright David […]
by Christine Mok The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “It was built to be super universal.” —Young Jean Lee[1] In counting Young Jean Lee’s contributions to Asian American theatre, We’re Gonna Die is, on […]
There is no excerpt because this is a protected post.
by Bindi Kang The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center Early in the spring of 2021, the New York City-based Yangtze Repertory Theatre of America (YRT) commissioned five playwrights of Chinese heritage[1] to adapt stories […]
by kt shorb The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center A disembodied voice announces, “Places for T.L.M.,” prompting the two women holding fans to usher a man between them. The three unfurl their battered fans […]
by Ariel Nereson The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center In fall 2021, after three semesters of Zoom instruction, I returned to the classroom to teach my Advanced Dramaturgy course for graduate and advanced undergraduate […]
by Al Evangelista The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center In every class remotely related to dramaturgy, I encounter performance studies scholar Elinor Fuchs’s critical essay “EF’s Visit to a Small Planet.”[1] When I was […]
by Daphne P. Lei The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “China boys, you be legendary obeyers of the law, legendary humble, legendary passive…. I curse ya honorary white!” —Frank Chin, Chickencoop Chinaman (1972)[1] “You […]
by Donatella Galella, Dorinne Kondo, Esther Kim Lee, Josephine Lee, Sean Metzger, and Karen Shimakawa The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center For this historic issue on “Asian American Dramaturgies,” guest editor Donatella Galella brought […]
by Donatella Galella The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “Look, this country’s a disaster in so many ways,” actor Raymond J. Lee belts with ferocity in David Henry Hwang and Jeanine Tesori’s 2019 musical […]
There is no excerpt because this is a protected post.
There is no excerpt because this is a protected post.
There is no excerpt because this is a protected post.
by Amy Mihyang Ginther The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “I intended both to tell an impossible story and to amplify the impossibility of its telling.” —Saidiya Hartman[1] Using theatre to generate empathy for […]
