If you would like to write a review for JADT, please contact our current book review editor Maya Roth at [email protected]. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre […]
Vol. 33 No. 2
24 posts
The Errol Hill Award is given by the American Society for Theatre Research in recognition of outstanding scholarship in African American theater, drama, and/or performance studies, as demonstrated in the form of a published book-length project (monograph or essay collection) or scholarly article. The book or article must deal with […]
Thank you to the American Theatre and Drama Society, the Black Theatre Association, and the Black Theatre Network for supporting the creation of this special issue. Many thanks to the guest editorial team, Mark Cosdon, Stephanie Engel, La Donna Forsgren, Javier Hurtado, Mia Levenson, Khalid Long, Derek Miller, Monica White […]
Nicole Hodges Persley: I want to end this special issue for JADT with a discussion about the praxis of Black artist-scholars and what sustainability looks like in the wake of COVID-19 and Black Lives Matter. How do we sustain ourselves as we navigate teaching online, losing people we love, fighting […]
by Elizabeth M. Cizmar The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center Ernie McClintock (1937–2003), director, acting teacher, and producer, grounded his work in the Black Power concepts of self-determination and community, but in pursuing a […]
by Lisa B. Thompson The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center If I do not bring all of who I am to whatever I do, then I bring nothing of lasting worth, for I have […]
by Heather S. Nathans The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center During the fall of 2020 I had the privilege of interviewing a group of groundbreaking scholars in Black Theatre: Harry Elam, Jr., E. Patrick […]
This special issue of the Journal of American Drama and Theatre was initially envisioned as a celebration of the inimitable Errol Hill’s contributions to Black Theatre in American history. Hill’s centennial asks us to reflect on the long history of American performance and the impact of Black lives on the […]
In 1986, during my first year at Dartmouth College, I had the good fortune to take a seminar on Black Theatre with Professor Errol Hill (1921-2003).[1] More than thirty years later I still count myself lucky to have had my introduction to the history of Black Theatre under Errol’s guidance. […]
by Eric M. Glover The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center The 1991 Lincoln Center Theater (LCT) production of Langston Hughes (1902-67) and Zora Neale Hurston’s (1891-60) 1931 antimusical The Mule Bone represents a milestone […]
by Bernth Lindfors The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center The British Newspaper Archive continues to offer a fruitful research tool for scholars wishing to study reviews of performances by actors on the British stage. […]
by Olga Sanchez Saltveit The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center The Black Latinx community represents a significant portion of the Latinx[1] population, particularly in regions of the US where many Latinx reside. In New […]
by Baron Kelly The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center Histories of US theatre have often overlooked the contributions of Black trailblazers as agents of change. Instead of focusing on the knowledge, tradition, sacrifice, and […]
by Omiyẹmi (Artisia) Green The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center “Ògún Yè Mo Yè!” Ògún lives! I live. E ku Ọsẹ̀ Ògún! At the time of this writing, it is a day to venerate […]
by Khalid Y. Long The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center Glenda Dickerson (1945-2012) is often recognized as a pioneering Black woman theatre director.[1] A more expansive view of her career, however, would highlight Dickerson’s […]
Dr. Michelle Cowin Gibbs The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center Best remembered as a novelist, fiction writer, essayist, and anthropologist, Zora Neale Hurston’s extensive work as a playwright has been largely overlooked in evaluating […]
by Nathaniel G. Nesmith The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center Elaine Jackson, born in Detroit (1938), began her career in the theatre as an actress. In the early 1970s, she established her career as […]
by Isaiah Matthew Wooden The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center The 1978 documentary Black Theater: The Making of a Movement opens with a striking performance by the legendary artist-activist-duo Ossie Davis and Ruby Dee […]
Shakespeare in a Divided America: What His Plays Tell Us About Our Past and Future. James Shapiro. New York: Penguin Press, 2020. Pp. 221. James Shapiro is a prolific Shakespeare scholar and award-winning author of The Year of Lear: Shakespeare 1606 (2015), A Year in the Life of William Shakespeare: […]
Maya Roth, Editor Casting a Movement: The Welcome Table Initiative Edited by Claire Syler and Daniel Banks Reviewed by Erith Jaffe-Berg Tarell Alvin McCraney: Theater, Performance, and Collaboration Edited by Sharrell D. Luckett, David Román, and Isaiah Matthew Wooden. Reviewed by DeRon Williams The Theatre of August Wilson By […]
