Maya Roth, Editor The Drama and Theatre of Sarah Ruhl By Amy Muse Reviewed by John Bray A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century US American Actor Edited by Amy E. Hughes and Naomi J. Stubbs Reviewed by Amy B. Huang Theatre, Performance and Cognition: […]
Vol. 32 No 2
11 posts
If you would like to write a review for JADT, please contact our current book review editor Maya Roth at mer46@georgetown.edu. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre […]
The History and Theory of Environmental Scenography. Arnold Aronson. London: Methuen Drama Publishing, 2018; Pp. 254. Arnold Aronson originally published The History and Theory of Environmental Scenography in 1981 when the term “environmental,” then recently popularized by Richard Schechner, had not yet lost ground to terms with more current purchase […]
The Drama and Theatre of Sarah Ruhl. Amy Muse. London: Methuen Drama Critical Companion Series, 2018; Pp. 215 + xv. Amy Muse’s The Drama and Theatre of Sarah Ruhl offers an insightful reading of the works of one of the U.S.’s most prolific contemporary playwrights. Since the premiere of Passion […]
A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century US American Actor. Edited by Amy E. Hughes and Naomi J. Stubbs. Ann Arbor: University of Michigan Press, 2018; Pp. 353. What did it mean to strive after a life in the theatre in the United States in the […]
Theatre, Performance and Cognition: Languages, Bodies and Ecologies. Edited by Rhonda Blair and Amy Cook. London: Bloomsbury, 2016; Pp. 243+xii. Rhonda Blair and Amy Cook’s co-edited volume Theatre, Performance and Cognition: Languages, Bodies and Ecologies advances the cross-disciplinary discourse inspired by the cognitive turn by interrogating the ways practitioners and […]
by Sarah Alice Campbell The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center Jan Cohen-Cruz argues in Local Acts: Community-Based Performance in the United States that the criticism of conventional theatre is ineffective at assessing the scope, […]
by Jocelyn L. Buckner The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center This American Theatre and Drama Society special issue of JADT features four essays that explore what “local” performance means across very different community contexts. […]
by Rachel E. Bauer and Kristen M. Kalz The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center On a chilly day in early April 2018, a group of sixteen people and one lovable dog met at a […]
by Claudia Wilsch Case The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center During the Great Depression, architect Frank Lloyd Wright founded the Taliesin Fellowship, an apprenticeship program for students of architecture and related trades that valued […]
by Arnab Banerji The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center The South Asian Theatre Festival (SATF) is held annually in New Brunswick, New Jersey. The thirteenth edition of the festival was held on August 4th […]
