Maya Roth, Editor Black Movements: Performance and Cultural Politics By Soyica Diggs Colbert Reviewed by Eleanor Russell Law & Sexuality in Tennessee Williams’s America By Jacqueline O’Connor Reviewed by Susan C. W. Abbotson Stolen Time: Black Fad Performance and the Calypso Craze By Shane Vogel Reviewed by Isaiah Matthew Wooden Staging Family: Domestic […]
Vol. 32 No. 1
10 posts
by Seokhun Choi The Journal of American Drama and Theatre Volume 32, Number 1 (Fall 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center Introduction: Mourning, Estrangement, and Affect According to Elisabeth Kübler-Ross and David Kessler, world-renowned experts on loss and healing, we now live in “a new death-denying, […]
by Jessica Brater The Journal of American Drama and Theatre Volume 32, Number 1 (Fall 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center The American avant-garde company Mabou Mines inaugurated its refurbished theater in the East Village’s 122 Community Center by conjuring performers who are trapped on stage. […]
If you would like to write a review for JADT, please contact our current book review editor Maya Roth at mer46@georgetown.edu. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre […]
Black Movements: Performance and Cultural Politics. Soyica Diggs Colbert. New Brunswick, NJ: Rutgers University Press, 2017; Pp. 232. In Black Movements: Performance and Cultural Politics, Soyica Diggs Colbert explores how post-Civil Rights Movement cultural products and performances of blackness re-map black ontologies and histories. In an extraordinary display of interdisciplinary […]
Stolen Time: Black Fad Performance and the Calypso Craze. Shane Vogel. Chicago: University of Chicago Press, 2018; Pp. 254 + xi. A trip backstage at the Imperial Theatre in late fall 1957 promised brushes with a number of black performers who would help radically transform the cultural and racial logics […]
Worldmaking: Race, Performance, and the Work of Creativity. Dorinne Kondo. Durham: Duke University Press, 2018; Pp. 376. Using dramaturgy, autoethnography, psychoanalysis, and critical race theory, Dorinne Kondo argues that performance shapes race in Worldmaking: Race, Performance, and the Work of Creativity. She stakes a claim to creativity as work that […]
Law and Sexuality in Tennessee Williams’s America. Jacqueline O’Connor. Lanham, MD: Fairleigh Dickinson University Press, 2016; Pp. 215 + xii. Taking a new historicist approach, Jacqueline O’Connor’s Law and Sexuality examines Tennessee Williams’s representations of sexual transgression in his drama and fiction as connected to issues of legality and social responses […]
Staging Family: Domestic Deceptions of Mid-Nineteenth Century American Actresses. Nan Mullenneaux. Lincoln: University of Nebraska Press, 2018; Pp. 400. In Staging Family: Domestic Deceptions of Mid-Nineteenth Century American Actresses, Nan Mullenneaux looks at significant figures of American theatre in a new way. From actresses active on the US stage in […]
by Verna A. Foster The Journal of American Drama and Theatre Volume 32, Number 1 (Fall 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center In creating his plays Branden Jacobs-Jenkins has repeatedly chosen to rewrite, adapt, or otherwise appropriate earlier theatrical styles or dramatic texts. Three of his […]
