by Ira S. Murfin The Journal of American Drama and Theatre Volume 30, Number 2 (Spring 2018) ISNN 2376-4236 ©2018 by Martin E. Segal Theatre Center Spalding Gray’s autobiographical monologues exemplified the affective immediacy of virtuosic first-person storytelling during the 1980s and 1990s, and helped establish a distinct theatrical genre […]
Vol. 30 No. 2
13 posts
by Christophe Collard The Journal of American Drama and Theatre Volume 30, Number 2 (Spring 2018) ISNN 2376-4236 ©2018 by Martin E. Segal Theatre Center Weary of endlessly scavenging for funding, would-be independent filmmaker John Jesurun decided one day in the early 1980s to make films without using a camera […]
by Johan Callens The Journal of American Drama and Theatre Volume 30, Number 2 (Spring 2018) ISNN 2376-4236 ©2018 by Martin E. Segal Theatre Center For a good understanding, the Spring 2018 American Theatre and Drama Society issue of the Journal of American Drama and Theatre is best considered as […]
by Ellen Gillooly-Kress The Journal of American Drama and Theatre Volume 30, Number 2 (Spring 2018) ISNN 2376-4236 ©2018 by Martin E. Segal Theatre Center Introduction A quiet, yet hopeful group of young people gathered in front of the Museum of the Moving Image in Astoria, Queens on January 22, […]
by Claire Swyzen The Journal of American Drama and Theatre Volume 30, Number 2 (Spring 2018) ISNN 2376-4236 ©2018 by Martin E. Segal Theatre Center “In this software universe, existence finds itself limited to the pulse of the cursor.” — Maïa Bouteillet, Libération[1] In 1991, Brenda Laurel suggested that we […]
The Contemporary American Monologue: Performance and Politics. Eddie Paterson. New York: Methuen, 2015; Pp. 232. The Contemporary American Monologue: Performance and Politics by Eddie Paterson offers comparative analyses of solo performance artists Spalding Grey, Laurie Anderson, Anna Deavere Smith, and Karen Finley. In his introduction, Paterson clearly lays out his […]
Stage for Action: U.S. Social Activist Theatre in the 1940s. Chrystyna Dail. Carbondale: Southern Illinois University Press, 2016; Pp. 194. In Stage for Action: U.S. Social Activist Theatre in the 1940s, Chrystyna Dail reveals a significant piece of theatre history and asserts its rightful place in the canon of American […]
Immersions in Cultural Difference: Tourism, War, Performance. Natalie Alvarez. Ann Arbor: University of Michigan Press, 2018; Pp. 214. Reading Natalie Alvarez’s Immersions in Cultural Difference: Tourism, War, Performance is a fantastic reminder of what theatre and performance studies have to offer during a cultural moment in which “reality” programming is […]
Black Performance on the Outskirts of the Left. Malik Gaines. New York: NYU Press, 2017; Pp. 248. It begins with a bold proposition. In Black Performance on the Outskirts of the Left, scholar-practitioner Malik Gaines suggests that performance is a radical act and that black performances can amend “dominant discourses […]
Samuel Beckett’s Theatre in America: The Legacy of Alan Schneider as Beckett’s American Director. Natka Bianchini. New York: Palgrave Macmillan, 2015; Pp. 204. To discuss the production history of Samuel Beckett’s work in the US is inevitably to begin with Alan Schneider. Schneider directed the American premiere of all twelve […]
Stages of Struggle and Celebration: A Production History of Black Theatre in Texas. Sandra M. Mayo and Elvin Holt. Austin: University of Texas Press, 2016; Pp. 341. The history of black theatre in the United States tends to be analyzed as a product of the coasts, from New York City during the […]
If you would like to write a review for JADT, please contact our current book review editor Maya Roth at mer46@georgetown.edu. If you know of a book that would be suitable for review in JADT, please mail a copy to the Editors, JADT/Martin E. Segal Theatre Center, CUNY Graduate Center, […]
Donatella Galella, Editor Black Performance on the Outskirts of the Left By Malik Gaines Reviewed by Kristin Moriah The Contemporary American Monologue: Performance and Politics By Eddie Paterson Reviewed by Kevin T. Browne Immersions in Cultural Difference: Tourism, War, Performance By Natalie Alvarez Reviewed by Eero Laine Samuel Beckett’s Theatre […]
