by Michael Y. Bennett The Journal of American Drama and Theatre Volume 28, Number 1 (Winter 2016) ISNN 2376-4236 ©2016 by Martin E. Segal Theatre Center There has been rising interest in theatre studies in employing and turning to philosophy. Unlike previous trends in literary (and theatrical) studies over the […]
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by Jorge Huerta The Journal of American Drama and Theatre Volume 28, Number 1 (Winter 2016) ISNN 2376-4236 ©2016 by Martin E. Segal Theatre Center Much has happened in the field of Chicano theatre studies, both as praxis and theory since 1965 when the Teatro Campesino (Farmworkers’ Theater) was founded […]
by Esther Kim Lee The Journal of American Drama and Theatre Volume 28, Number 1 (Winter 2016) ISNN 2376-4236 ©2016 by Martin E. Segal Theatre Center When I was writing my dissertation in the late 1990s, I would tell anyone who would ask that my topic was Asian American theatre. […]
by Jordan Schildcrout The Journal of American Drama and Theatre Volume 28, Number 1 (Winter 2016) ISNN 2376-4236 ©2016 by Martin E. Segal Theatre Center I consider it a sign of the vibrancy of queer theatre scholarship that publications over the past few years contain a greater variety of subjects, […]
by Stacy Wolf The Journal of American Drama and Theatre Volume 28, Number 1 (Winter 2016) ISNN 2376-4236 ©2016 by Martin E. Segal Theatre Center Musical Theatre Studies, whose presence as a viable academic field is not much more than a decade old, is spreading out in all directions of […]
by Maurya Wickstrom The Journal of American Drama and Theatre Volume 28, Number 1 (Winter 2016) ISNN 2376-4236 ©2016 by Martin E. Segal Theatre Center Over the past couple of years, I have been increasingly taken with the question of temporality. Giorgio Agamben writes in Infancy and History that: Every conception […]
