by Clay Sanderson The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center The Cambridge Companion to American Theatre Since 1945. Edited by Julia Listengarten and Stephen Di Benedetto. Cambridge: Cambridge University Press, 2021; Pp. 273. Julia Listengarten […]
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by Jada M. Campbell The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past. Ariel Nereson. Ann Arbor, University of Michigan Press, 2022; Pp. 290. […]
If you would like to write a review for JADT, please contact our current book review editor Maya Roth at [email protected]. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre […]
by Raymond Saraceni The Journal of American Drama and Theatre Volume 35, Number 1 (Fall 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center Introduction During the early decades of the nineteenth century, Philadelphia became besotted by its own reflection—a growing desire to perceive and to reflect upon itself […]
by Russell Stone The Journal of American Drama and Theatre Volume 35, Number 1 (Fall 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center As the Federal Theatre Project fell under the scrutiny of Congressional investigations in its final months, National Director Hallie Flanagan relied on the significant show […]
The Great White Way: Race and the Broadway Musical. Warren Hoffman. New Brunswick: Rutgers University Press, 2020; 285 pp. Reframing the Musical: Race, Culture and Identity. Ed. Sarah Whitfield. Methuen Drama, London, UK: Bloomsbury Publishing Inc, 2019; 241 pp. For a relatively young form, musical theatre carries a long history […]
Ishtyle: Accenting Gay Indian Nightlife. Kareem Khubchandani. Ann Arbor: University of Michigan Press, 2020. Kareem Khubchandani’s Ishtyle is an innovative and refreshing critical survey of gay Indian nightlife cultures in diaspora that anchors its theoretical trajectory around the monograph’s title. The book’s originality is announced from its very start, when readers […]
Rise Up! Broadway and American Society from Angels in America to Hamilton. Chris Jones. London: Methuen Drama, 2019. Pp. 215. Rise Up! Broadway and American Society from Angels in America to Hamilton takes a broadly sociological look at notable Broadway shows of the last 30 years, constructing a rough lineage from […]
The Queer Nuyorican: Racialized Sexualities and Aesthetics in Loisaida, by Karen Jaime. New York City, NY: New York University Press, 2021; 275pp. $28.00 paper. Karen Jaime’s love letter to the Nuyorican Poets Cafe, a primarily spoken word venue on Manhattan’s Lower East Side, moves the reader toward an aesthetic practice […]
Dancing the World Smaller: Staging Globalism in Mid-Century America. Rebekah J. Kowal. New York: Oxford University Press, 2020; Pp. 295. Rebekah J. Kowal’s Dancing the World Smaller: Staging Globalism in Mid-Century America emerged out of photos of “ethnic dance” that she stumbled upon in the New York Public Library for the […]
Maya Roth, Editor Dancing the World Smaller: Staging Globalism in Mid-Century America By Rebekah J. Kowal Reviewed by Dahye Lee Ishstyle: Accenting Gay Indian Nightlife By Kareem Khubchandani Reviewed by Rahul K Gairola Rise Up! Broadway and American Society from Angels in America to Hamilton By Chris Jones Reviewed […]
by Bennet Schaber The Journal of American Drama and Theatre Volume 35, Number 1 (Fall 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “[T]o reduce everything to terms of motion, to see everything passing into everything else by almost insensible gradations, to refuse to accept any firm line […]
by Laurence Senelick The Journal of American Drama and Theatre Volume 35, Number 1 (Fall 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center A striking phenomenon of American theatre in the late 1920s is the spate of revivals of Victorian drama which continued well into the next decade. […]
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Law and Sexuality in Tennessee Williams’s America. Jacqueline O’Connor. Lanham, MD: Fairleigh Dickinson University Press, 2016; Pp. 215 + xii. Taking a new historicist approach, Jacqueline O’Connor’s Law and Sexuality examines Tennessee Williams’s representations of sexual transgression in his drama and fiction as connected to issues of legality and social responses […]
If you would like to write a review for JADT, please contact our current book review editor Donatella Galella at [email protected]. If you know of a book that would be suitable for review in JADT, please mail a copy to the Editors, JADT/Martin E. Segal Theatre Center, CUNY Graduate Center, […]
The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North. By Douglas A. Jones, Jr. Theater: Theory/Text/Performance series. Ann Arbor: The University of Michigan Press, 2014. Pp. 218. In common American parlance, the word “slavery” tends to be inseparable from the specific institution of chattel slavery in the […]
by Kevin Byrne The Journal of American Drama and Theatre Volume 28, Number 1 (Winter 2016) ISNN 2376-4236 ©2016 by Martin E. Segal Theatre Center African American theatre history scholarship has always wanted to commit untold stories to print and it values performance on a rubric which balances artistic impulses […]
