by Mohamadreza BabaeeThe Journal of American Drama and TheatreVolume 35, Number 2 (Spring 2023)ISNN 2376-4236©2023 by Martin E. Segal Theatre Center
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by Marissa Nicosia & Jack Isaac Pryor The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Small is good, small is all. (The large is a reflection of the small.) Change is constant. (Be like water.) There […]
by Talya Kingston The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Plays In Place is a Massachusetts-based company that collaborates with museums, historical sites and cultural institutions to commission plays that are fully produced in […]
by Caitlin A.Kane The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Leigh Fondakowski (they/she) has dedicated nearly 25 years to creating theatre from narrative interviews and archival research. In works including The Laramie Project, The People’s Temple, […]
by Drew Barker The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Between this interview (edited for length and clarity from October 2022) and the publication of this issue, Gancher and Mezzocchi’s 2020 production of Russian Troll […]
by Becca Levy and Jared Rubin Sprowls The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center How can a traditional practice for Jewish text study inform the dramaturgical analysis of a new work development process? This article […]
by L. Nicol Cabe The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center On February 23rd, 2020, I performed my final in-person, physically co-present show of Effing Robots: How I Taught the A.I. to Stop Worrying and […]
by Dr. Kimmika L.H. Williams Witherspoon The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center On, (May 25, 2020), for 8 minutes and 46 seconds, the world watched the callous murder of George Floyd at the hands […]
by Jared Strange The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center For most Americans, the mere mention of “the DMV” summons nightmares of bureaucratic deadlock. For residents of the DC-Maryland-Virginia metropolitan area such as myself, it […]
by Jessica L. Peña Torres The Journal of American Drama and TheatreVolume 35, Number 2 (Spring 2023)ISNN 2376-4236©2023 by Martin E. Segal Theatre Center Zapateado, burlesque dancing, and a mix of mariachi, son jarocho, and electronic music combine to create the world for MÉXICO (EXPROPRIATED), a bilingual dance-theater piece that surveys […]
by Elyzabeth Gregory Wilder The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center On a mild day in June 2020, four actors, each in their own car, paraded through the small, rural college town of Sewanee, Tennessee. […]
by Michael Osinski The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center September 3, 2017. It’s the day Twin Peaks: The Return reached its gut-wrenching conclusion and seared a hole in my heart and my brain. I’d […]
by Beth Wynstra and Mary Pinard The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center The final moment of Heart/Roots: Wabaunsee County, a new community-based play, is a poem, called “Sonnet in the Voice of the Ruin.” […]
by MK Lawson and Jessica Bashline The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center (Re)Generation was developed with a faculty fellowship from University of Miami Jessica Bashline and MK Lawson, the creators of (Re)Generation interview one another […]
by Jackie Rosenfeld and Cade M.Sikora The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center There is a tremendous amount of grief in the post-COVID world of post-secondary educational theatre regarding missed opportunities and lost time. When […]
Maya Roth, Editor Feeling the Future at Christian End-Time Performances By Jill Stevenson Reviewed by Rob Silverman Ascher Aural/Oral Dramaturgies: Theatre in the Digital Age By Duška Radosavljević Reviewed by M. Landon Borderlands Children’s Theatre: Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre By Cecilia Josephine Aragόn Reviewed by Jeanne […]
by Rob Silverman Ascher The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Feeling the Future at Christian End-Time Performances. Jill Stevenson. Ann Arbor: The University of Michigan Press, 2022; Pp. 243. The overlap of performance and […]
by M. Landon The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Aural/Oral Dramaturgies: Theatre in the Digital Age. Duška Radosavljević. New York, NY: Routledge, 2022; Pp. 224. A decade after her TaPRA Research Award-winning monograph Theatre-Making: […]
by Jeanne Klein The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Borderlands Children’s Theatre: Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre. Cecilia Josephine Aragόn. New York: Routledge, 2022; Pp. 158. Cecilia Josephine Aragόn has […]
by Ansley Valentine The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center Pandemic Performance: Resilience, Liveness, and Protest in Quarantine Times. Edited by Kendra Capece, Patrick Scorese. New York: Routledge, 2023; Pp. 188 At the start of […]
