by Sarah Alice Campbell The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center Jan Cohen-Cruz argues in Local Acts: Community-Based Performance in the United States that the criticism of conventional theatre is ineffective at assessing the scope, […]
Jess Applebaum
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by Jocelyn L. Buckner The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center This American Theatre and Drama Society special issue of JADT features four essays that explore what “local” performance means across very different community contexts. […]
by Rachel E. Bauer and Kristen M. Kalz The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center On a chilly day in early April 2018, a group of sixteen people and one lovable dog met at a […]
by Claudia Wilsch Case The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center During the Great Depression, architect Frank Lloyd Wright founded the Taliesin Fellowship, an apprenticeship program for students of architecture and related trades that valued […]
by Arnab Banerji The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center The South Asian Theatre Festival (SATF) is held annually in New Brunswick, New Jersey. The thirteenth edition of the festival was held on August 4th […]
by Seokhun Choi The Journal of American Drama and Theatre Volume 32, Number 1 (Fall 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center Introduction: Mourning, Estrangement, and Affect According to Elisabeth Kübler-Ross and David Kessler, world-renowned experts on loss and healing, we now live in “a new death-denying, […]
by Jessica Brater The Journal of American Drama and Theatre Volume 32, Number 1 (Fall 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center The American avant-garde company Mabou Mines inaugurated its refurbished theater in the East Village’s 122 Community Center by conjuring performers who are trapped on stage. […]
by Verna A. Foster The Journal of American Drama and Theatre Volume 32, Number 1 (Fall 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center In creating his plays Branden Jacobs-Jenkins has repeatedly chosen to rewrite, adapt, or otherwise appropriate earlier theatrical styles or dramatic texts. Three of his […]
