Maya Roth, Editor The Interdisciplinary Theatre of Ping Chong: Exploring Curiosity and Otherness By Yuko Kurahashi Reviewed by Craig Quintero Embodied Reckonings: “Comfort Women,” Performance and Transpacific Redress By Elizabeth Son Reviewed by Devika Ranjan Love Dances: Loss and Mourning in Intercultural Collaboration By SanSan Kwan Reviewed by grace shinhae jun […]
Emily Furlich (she/her)
18 posts
If you would like to write a review for JADT, please contact our current book review editor Maya Roth at mer46@georgetown.edu. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre […]
by Jennifer Goodlander The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center For many, Cambodia and Cambodian American identities remain “unrepresentable.”[1] Jonathan H. X. Lee troubles the relationships between Southeast Asian, American, and specific national identities to […]
by Kristin Leahey with excerpts from an interview with Joseph Ngo The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center When Lauren Yee approaches a new play, she considers the historical events she wants to address in […]
by Jenna Gerdsen The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center When I left Hawaiʻi for college on the continent, I was in for quite a shock. As a mixed Asian woman born and raised in […]
by Christine Mok The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “It was built to be super universal.” —Young Jean Lee[1] In counting Young Jean Lee’s contributions to Asian American theatre, We’re Gonna Die is, on […]
by Donatella Galella, Dorinne Kondo, Esther Kim Lee, Josephine Lee, Sean Metzger, and Karen Shimakawa The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center For this historic issue on “Asian American Dramaturgies,” guest editor Donatella Galella brought […]
by Donatella Galella The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “Look, this country’s a disaster in so many ways,” actor Raymond J. Lee belts with ferocity in David Henry Hwang and Jeanine Tesori’s 2019 musical […]
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There is no excerpt because this is a protected post.
There is no excerpt because this is a protected post.
by Amy Mihyang Ginther The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “I intended both to tell an impossible story and to amplify the impossibility of its telling.” —Saidiya Hartman[1] Using theatre to generate empathy for […]
Performance and the Disney Theme Park Experience: The Tourist as Actor. Jennifer A. Kokai and Tom Robson, eds. Cham, Switzerland: Palgrave Macmillan, 2019; Pp. 292. Performance and the Disney Theme Park Experience: The Tourist as Actor brings attention to Disney tourism as a significant site of theatre and performance study, […]
Radical Vision: A Biography of Lorraine Hansberry. Soyica Diggs Colbert. New Haven: Yale, 2021; Pp. 273. Soyica Diggs Colbert’s Radical Vision: A Biography of Lorraine Hansberry (2021) adds to the discourse on Black Radical Thought through its examination of the life and art of Lorraine Hansberry. This biography establishes her […]
Susan Glaspell’s Poetics and Politics of Rebellion. Emeline Jouve. Iowa City, University of Iowa Press, 2017; Pp. 258. Although she was honored with a Pulitzer Prize for drama and produced a diverse body of work critically esteemed in her time, Susan Glaspell’s dramaturgical innovations and contributions to US theatre have […]
The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected. Edwin Wong. Victoria, Canada: Friesen Press, 2019; Pp. 363. In 2019, the Langham Court Theatre in Victoria, British Columbia, Canada inaugurated the Risk Theatre Modern Tragedy Competition, awarding top prize ($8,000 Canadian) to In Bloom by Brooklyn-based playwright Gabriel […]
If you would like to write a review for JADT, please contact our current book review editor Maya Roth at mer46@georgetown.edu. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre […]
Maya Roth, Editor Radical Vision: A Biography of Lorraine Hansberry By Soyica Diggs Colbert Reviewed by Kristyl D. Tift Susan Glaspell’s Poetics and Politics of Rebellion By Emeline Jouve Reviewed by Jennifer-Scott Mobley The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected By Edwin Wong Reviewed by […]
