by Roger Tang The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center Artistic Statement Roger Tang has been an advocate and champion of Asian American theatre ever since he found himself a dormmate of noted playwright David […]
Dahye Lee
10 posts
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by Bindi Kang The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center Early in the spring of 2021, the New York City-based Yangtze Repertory Theatre of America (YRT) commissioned five playwrights of Chinese heritage[1] to adapt stories […]
by kt shorb The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center A disembodied voice announces, “Places for T.L.M.,” prompting the two women holding fans to usher a man between them. The three unfurl their battered fans […]
by Ariel Nereson The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center In fall 2021, after three semesters of Zoom instruction, I returned to the classroom to teach my Advanced Dramaturgy course for graduate and advanced undergraduate […]
by Al Evangelista The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center In every class remotely related to dramaturgy, I encounter performance studies scholar Elinor Fuchs’s critical essay “EF’s Visit to a Small Planet.”[1] When I was […]
by Daphne P. Lei The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “China boys, you be legendary obeyers of the law, legendary humble, legendary passive…. I curse ya honorary white!” —Frank Chin, Chickencoop Chinaman (1972)[1] “You […]
by Dan Colson The Journal of American Drama and Theatre Volume 34, Number 1 (Fall 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center The stage directions for Clifford Odets’s 1935 Awake and Sing! call for a “picture of Sacco and Vanzetti” to be hung in Jacob’s room.[1] The […]
by Madeline Pages The Journal of American Drama and Theatre Volume 34, Number 1 (Fall 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center Conceiving of a theatre of isolation presents the performance scholar with a conundrum akin to a tree falling in a secluded forest. As it is […]
by Mia Levenson and Heather S. Nathans The Journal of American Drama and Theatre Volume 34, Number 1 (Fall 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center It began, as it so often does, with a passing remark. Journalist Herbert Asbury’s Gangs of New York: An Informal History […]
