Protected: Randall Duk Kim: A Sojourn in the Embodiment of Words

by Dahye Lee|Published May 23, 2022

This content is password protected. To view it please enter your password below:

Password:

This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

The Dramaturgical Sensibility of Lauren Yee’s The Great Leap and Cambodian Rock Band

by Kristin Leahey with excerpts from an interview with Joseph Ngo The Journal of American Drama and Theatre Volume 34, Number 2 […]

Published May 21, 2022

Behind the Scenes of Asian American Theatre and Performance Studies

by Donatella Galella, Dorinne Kondo, Esther Kim Lee, Josephine Lee, Sean Metzger, and Karen Shimakawa The Journal of American Drama and Theatre […]

Published May 24, 2022

Representation from Cambodia to America: Musical Dramaturgies in Lauren Yee’s Cambodian Rock Band

Published May 23, 2022

Theatre in Hawaiʻi: An “Illumination of the Fault Lines” of Asian American Theatre

Previous post Clubhouse: Stories of Empowered Uncanny Anomalies
Back to post list
Next post On Young Jean Lee in Young Jean Lee’s We’re Gonna Die by Christine Mok

Need help with the Commons?

Email us at [email protected] so we can respond to your questions and requests. Please email from your CUNY email address if possible. Or visit our help site for more information:

Visit our help site

People
Groups
Sites
Courses
Events
Activity
About

Help
Privacy
Terms of Service
Accessibility
Creative Commons (CC) license unless otherwise noted

Built with WordPress Protected by Akismet Powered by CUNY