If you would like to write a review for JADT, please contact our current book review editor Maya Roth at mer46@georgetown.edu. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre […]
Yearly Archives: 2022
30 posts
by Raymond Saraceni The Journal of American Drama and Theatre Volume 35, Number 1 (Fall 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center Introduction During the early decades of the nineteenth century, Philadelphia became besotted by its own reflection—a growing desire to perceive and to reflect upon itself […]
by Russell Stone The Journal of American Drama and Theatre Volume 35, Number 1 (Fall 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center As the Federal Theatre Project fell under the scrutiny of Congressional investigations in its final months, National Director Hallie Flanagan relied on the significant show […]
The Great White Way: Race and the Broadway Musical. Warren Hoffman. New Brunswick: Rutgers University Press, 2020; 285 pp. Reframing the Musical: Race, Culture and Identity. Ed. Sarah Whitfield. Methuen Drama, London, UK: Bloomsbury Publishing Inc, 2019; 241 pp. For a relatively young form, musical theatre carries a long history […]
Ishtyle: Accenting Gay Indian Nightlife. Kareem Khubchandani. Ann Arbor: University of Michigan Press, 2020. Kareem Khubchandani’s Ishtyle is an innovative and refreshing critical survey of gay Indian nightlife cultures in diaspora that anchors its theoretical trajectory around the monograph’s title. The book’s originality is announced from its very start, when readers […]
Rise Up! Broadway and American Society from Angels in America to Hamilton. Chris Jones. London: Methuen Drama, 2019. Pp. 215. Rise Up! Broadway and American Society from Angels in America to Hamilton takes a broadly sociological look at notable Broadway shows of the last 30 years, constructing a rough lineage from […]
The Queer Nuyorican: Racialized Sexualities and Aesthetics in Loisaida, by Karen Jaime. New York City, NY: New York University Press, 2021; 275pp. $28.00 paper. Karen Jaime’s love letter to the Nuyorican Poets Cafe, a primarily spoken word venue on Manhattan’s Lower East Side, moves the reader toward an aesthetic practice […]
Dancing the World Smaller: Staging Globalism in Mid-Century America. Rebekah J. Kowal. New York: Oxford University Press, 2020; Pp. 295. Rebekah J. Kowal’s Dancing the World Smaller: Staging Globalism in Mid-Century America emerged out of photos of “ethnic dance” that she stumbled upon in the New York Public Library for the […]
Maya Roth, Editor Dancing the World Smaller: Staging Globalism in Mid-Century America By Rebekah J. Kowal Reviewed by Dahye Lee Ishstyle: Accenting Gay Indian Nightlife By Kareem Khubchandani Reviewed by Rahul K Gairola Rise Up! Broadway and American Society from Angels in America to Hamilton By Chris Jones Reviewed […]
by Bennet Schaber The Journal of American Drama and Theatre Volume 35, Number 1 (Fall 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “[T]o reduce everything to terms of motion, to see everything passing into everything else by almost insensible gradations, to refuse to accept any firm line […]
by Laurence Senelick The Journal of American Drama and Theatre Volume 35, Number 1 (Fall 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center A striking phenomenon of American theatre in the late 1920s is the spate of revivals of Victorian drama which continued well into the next decade. […]
Maya Roth, Editor The Interdisciplinary Theatre of Ping Chong: Exploring Curiosity and Otherness By Yuko Kurahashi Reviewed by Craig Quintero Embodied Reckonings: “Comfort Women,” Performance and Transpacific Redress By Elizabeth Son Reviewed by Devika Ranjan Love Dances: Loss and Mourning in Intercultural Collaboration By SanSan Kwan Reviewed by grace shinhae jun […]
If you would like to write a review for JADT, please contact our current book review editor Maya Roth at mer46@georgetown.edu. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre […]
by Jennifer Goodlander The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center For many, Cambodia and Cambodian American identities remain “unrepresentable.”[1] Jonathan H. X. Lee troubles the relationships between Southeast Asian, American, and specific national identities to […]
by Kristin Leahey with excerpts from an interview with Joseph Ngo The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center When Lauren Yee approaches a new play, she considers the historical events she wants to address in […]
by Jenna Gerdsen The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center When I left Hawaiʻi for college on the continent, I was in for quite a shock. As a mixed Asian woman born and raised in […]
by Roger Tang The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center Artistic Statement Roger Tang has been an advocate and champion of Asian American theatre ever since he found himself a dormmate of noted playwright David […]
by Christine Mok The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center “It was built to be super universal.” —Young Jean Lee[1] In counting Young Jean Lee’s contributions to Asian American theatre, We’re Gonna Die is, on […]
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by Bindi Kang The Journal of American Drama and Theatre Volume 34, Number 2 (Spring 2022) ISNN 2376-4236 ©2022 by Martin E. Segal Theatre Center Early in the spring of 2021, the New York City-based Yangtze Repertory Theatre of America (YRT) commissioned five playwrights of Chinese heritage[1] to adapt stories […]
