If you would like to write a review for JADT, please contact our current book review editor Maya Roth at mer46@georgetown.edu. If you know of a book that would be suitable for review in JADT, please arrange for a copy to be mailed to the Editors, JADT/Martin E. Segal Theatre Center, CUNY Graduate Center, 365 Fifth Avenue, New York, New York 10016-4309.
Acree, William Garrett. Staging Frontier: The Making of Modern Popular Culture in Argentina and Uruguay. Albuquerque: University of New Mexico Press, 2019.
Black, Cheryl, and Jonathan Shandell. Experiments in Democracy: Interracial and Cross-Cultural Exchanges in American Theatre, 1912-1945. Carbondale: Southern Illinois University Press, 2016.
Chinn, Sarah. Spectacular Men: Race, Gender, and Nation on the Early American Stage. New York and Oxford: Oxford University Press, 2017.
Collins, Michael J. The Drama of the American Short Story, 1800-1865. Ann Arbor: University of Michigan Press, 2016.
Crespy, David A, ed. Lanford Wilson: Early Stories, Sketches, and Poems. Columbia: University of Missouri Press, 2017.
Davis, Peter A. From Androboros to the First Amendment: A History of America’s First Play. Iowa City: University of Iowa Press, 2017.
DuComb, Christian. Haunted City: Three Centuries of Racial Impersonation in Philadelphia. Ann Arbor: University of Michigan Press, 2017.
Eison, Kurt. The Theatre of Eugene O’Neil: American Modernism on the World Stage. New York: Methuen Drama, 2019.
Gallagher-Ross, Jacob. Theaters of the Everyday: Aesthetic Democracy on the American Stage. Evanston, IL: Northwestern University Press, 2018.
Galella, Donatella. America in the Round: Capital, Race, and Nation at Washington D.C.’s Arena Stage. Iowa City: University Of Iowa Press, 2019.
Graham, Kenneth. Shakespeare On Stage and Off. Quebec: Mcgill-Queens University Press, 2019.
Haywood, Michelle, and Susan Kattwinkel, eds. Performing Arts as High-Impact Practice. New York: Palgrave, 2018.
Hischak, Thomas S. 100 Greatest American Plays. Lanham, MD: Rowman & Littlefield Publishers, 2017.
Johnson, Katie N., ed. Sex For Sale: Six Progressive-Era Brothel Dramas. Iowa City: University of Iowa Press, 2017.
Jones, Megan Sanborn. Contemporary Mormon Pageantry: Seeking After the Dead. Ann Arbor: University of Michigan Press, 2018.
Jones, Chris. Broadway and American Society from Angels in America to Hamilton. New York and London: Bloomsbury Methuen, 2018.
Jouve, Emeline. Susan Glaspell’s Poetics and Politics of Rebellion. Iowa City: University of Iowa Press, 2017.
Kenrick, John. Musical Theatre: A History. New York and London: Bloomsbury Methuen, 2017.
Klein, Emily B. Sex and War on the American Stage: Lysistrata in Performance, 1930-2012. Routledge, 2015.
Knapp, Raymond. Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism. Durham, NC: Duke University Press, 2018.
Kokai, Jennifer A., and Tom Robson, eds. Performance and the Disney Theme Park Experience: The Tourist as Actor. New York: Springer, 2019.
Kozinn, Sarah. Justice Performed: Courtroom TV Shows and the Theaters of Popular Law. Durham, NC: Duke University Press, 2018.
Lunberry, Clark, and Joseph Roach, eds. The Very Thought of Herbert Blau. Ann Arbor: University of Michigan Press, 2018.
Lutterbie, John. An Introduction to Theatre, Performance and the Cognitive Science.New York: Methuen Drama, 2019.
Mayer, John. Steppenwolf Theatre Company of Chicago in Their Own Words. Centro Press, 2018.
Mermikides, Alex, ed. Performance and the Medical Body. New York and London: Bloomsbury Methuen, 2018.
Miller, Derek. Copyright and the Value of Performance, 1770-1911. New York: Cambridge University Press, 2018.
Nadel, Alan. The Theatre of August Wilson. New York and London: New York and London: Bloomsbury Methuen, 2018.
Palmer, David, ed. Visions of Tragedy in Modern American Drama. New York and London: Bloomsbury Methuen, 2018.
Rodosthenous, George, ed. The Disney Musical On Stage and Screen. New York and London: Bloomsbury Methuen, 2017.
Santana, Analola. Freak Performances: Dissidence in Latin American Theater. Ann Arbor: University of Michigan Press, 2018.
Shannon, Sandra G., and Sandra L. Richards. Approaches to Teaching the Plays of August Wilson. New York: MLA, 2016.
Schildcrout, Jordan. In the Long Run: A Cultural History of Broadway’s Hit Plays. New York: Routledge, 2020.
Tyler, Lisa. Understanding Marsha Norman. Columbia: University of South Carolina Press, 2019.
Walsh, Finton. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. New York: Methuen Drama, 2019.
Wickstrom, Maurya. Fiery Temporalities in Theatre and Performance. New York and London: Bloomsbury Methuen, 2018.
Wollman, Elizabeth L. A Critical Companion to The American Stage Musical. New York and London: Bloomsbury Methuen, 2017.
Wong, Edwin. The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected. Victoria, Canada: Friesen Press, 2019.
Wyver, John. Screening the Royal Shakespeare Company: A Critical History. New York: The Arden Shakespeare, 2019.
*Assigned for review
The Journal of American Drama and Theatre
Volume 33, Number 1 (Fall 2020)
ISNN 2376-4236
©2020 by Martin E. Segal Theatre Center
This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.
